A constant-aperture 70-200mm f/2.8 ‘trinity’ zoom is often the go-to telephoto lens for enthusiast photographers but they tend to be big, heavy and expensive, and they certainly aren’t the only option. The 70-300mm zoom range is something of a classic, stretching back to the 35mm film era. They typically have a slower, variable aperture range of around f/4-5.6 but give more powerful reach on a full-frame camera, going further still on APS-C format bodies with an effective range of around 105450mm (112-480mm for Canon), stretching into super-telephoto territory.
Other advantages of 70-300mm zooms are that they’re relatively compact, lightweight and easy to live with, especially for travel, action, sport and wildlife photography. The slower aperture rating compared with f/2.8 zooms isn’t necessarily a drawback, considering that many current digital cameras maintain good image quality if you bump up the sensitivity setting a notch or two, and you can still get a tight depth of field, especially at longer zoom settings. Compared with faster 70-200mm lenses, they’re also much less expensive to buy.
Considering all the benefits, especially when many of us are on a tight budget, it’s surprising that 70-300mm zooms still represent a hole in the line-up of native lenses for most makes of mirrorless camera. Even so, the Canon and Nikon lenses in this test group work well with EOS R and Nikon Z system mirrorless bodies, in both full-frame and APS-C formats, via the respective mount adaptors, and still enable a compact and lightweight overall package.
Denne historien er fra Issue 264-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Issue 264-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents