CANON PRO
NAME: ROB GRAY
CAMERA: CANON EOS R3 & R5
ROB STARTED his photography journey in 2013, picking up an entry-level Canon EOS 550D as a way to shoot his big hobby at motorsport events. He's since turned his passion into a pro career, graduating from shooting the UK domestic racing scene to jetting off to Moto GP races all over the world, as well as running his online Speed of Light Academy. www.speedoflightacademy.com
APPRENTICE
NAME: PHIL PERRY
CAMERA: CANON EOS R5
PHIL IS a healthcare relationship manager with a high street bank. In his spare time, he loves to photograph motorsports and has recently upgraded to a Canon EOS R5. He wrote to us asking whether we could help him get the most out his new Canon camera, so we paired him up with pro racing photographer Rob at Donington Park Circuit to take some fast and furious motorbike photos.
HOT SHOT #1
Lens Canon EF 400mm f/2.8L IS II
Exposure USM 1/250 sec, f/3.5, ISO100
TECHNIQUE ASSESSMENT
Rob set up Phil's EOS R5 so it was ready for action
MANUAL MODE
TO BEGIN, Rob set Phil's Canon EOS R5 to its Manual mode so that he could take full control of exposures. The first setup was all about using fast shutter speeds to make sure the riders were pin sharp in shot, so he set a shutter speed of 1/500 sec and an aperture of f/4 to let in loads of light. He also switched on Auto ISO, so there was one less exposure setting to worry about, enabled Raw image quality, and turned on the fastest burst rate mode, too.
AUTOFOCUS
Denne historien er fra July 2022-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra July 2022-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!