When in Rome… don’t wear flip-flops
PhotoPlus : The Canon Magazine|August 2022
How driving rain turned Rome into reflected heaven and why David discovered that flipflops don’t work for travel photography
DAVID CLAPP
When in Rome… don’t wear flip-flops

Ponte Vittorio bridge and the Vatican, Rome, Italy. 18:52pm. 17 April 2007

I can’t believe it’s 15 years ago when I took this sequence of images. That’s vintage digital, for sure. In the future, will anyone care about my beloved Canon 5D? It was a landmark camera that made professional-level digital imagery accessible to the public for the first time. It even had better dynamic range than the waning flagship Canon 1Ds and was £5000 cheaper. It changed everything for me and I gave a triumphant two-fingered salute to the hell I had suffered shooting and scanning film.

My global travels were just beginning and after a disastrous start in Bali the year before, this was a reboot – my first major European excursion. Rachel and I were flying into Rome, taking the train to Prague and then onwards to Berlin before returning home and hopping over to Ireland. Three interesting capital cities over two weeks would keep us very entertained. Travel photography was still in its digital infancy, but I had a list of big-hitters: the Colosseum, the Vatican and the Romana Forum.

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The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
PhotoPlus : The Canon Magazine

The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills

Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.

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1 min  |
October 2024
Fright night
PhotoPlus : The Canon Magazine

Fright night

Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist

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1 min  |
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Sharpen your shots with DPP
PhotoPlus : The Canon Magazine

Sharpen your shots with DPP

Sharpening a digital image also increases contrast at the edge of details

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2 mins  |
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CANON ImagePrograf PRO-1100
PhotoPlus : The Canon Magazine

CANON ImagePrograf PRO-1100

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3 mins  |
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Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
PhotoPlus : The Canon Magazine

Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!

The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings

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2 mins  |
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DREW GIBSON
PhotoPlus : The Canon Magazine

DREW GIBSON

Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands

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10+ mins  |
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Up in smoke
PhotoPlus : The Canon Magazine

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Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson

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3 mins  |
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Expand your creativity with Generative Fill
PhotoPlus : The Canon Magazine

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Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...

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2 mins  |
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Turn your images into vintage postcards
PhotoPlus : The Canon Magazine

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Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look

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The Angel Malibu
PhotoPlus : The Canon Magazine

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Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!

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