As if trying to comfort us with a recognisable dystopia, System Shock’s new intro bombards us with ’80s cyberpunk imagery. Observing through the windscreen of a flying car, we’re swept around angular skyscrapers in the pounding rain, then spy a lone hacker hunched over a computer in an executive office and switch to his view. He’s attempting to steal a valuable neural implant, but triggers an alarm, summoning armoured security who rendition him to a space station. Here he’s offered an ultimatum: disable the station AI’s ethical restraints, or die. The hacker complies, then loses consciousness as a guard injects him with anaesthetic.
Denne historien er fra December 2022-utgaven av Edge UK.
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Denne historien er fra December 2022-utgaven av Edge UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
CHANTS OF SENNAAR
How Babel helped a world of stealth become a world of words
MEGHNA JAYANTH
Around the industry in eight games: one writer's journey through indie to triple-A and back again.
Tom Clancy's Splinter Cell: Blacklist
Sam Fisher's final outing is also his most enigmatic
Post Script
How low should a boss go?
TWO POINT STUDIOS
How a new studio rose from the ashes of Lionhead success not simulated
RAIDERS OF THE ARCHIVE
Wolfenstein-style shootouts are just a small part of the picture in MachineGames' maximalist Indy game
SPLITGATE 2
If it ain't broke, don't fix Split
KINGDOM COME: DELIVERANCE II
A bigger, better - and funnier Bohemian rhapsody
Narrative Engine
Write it like you stole it
The Outer Limits
Journeys fo the farthest reaches of interactive entertainment