BRILLIANT CORNERS - Come Hell or High Water

New Yorkers love to complain about the summers, with their wafting miasma of hot garbage and urine; about the superannuated subway system, which only sometimes resembles a psilocybin trip gone really wrong; about the purgatorial agony of finding an apartment; about the affronts of existing shoulder-to-shoulder with the stupendously rich.
New York will never make onto a "most livable cities" list, and it attracts a particular kind of person. Despite the influx of suburban corporate workers that has transformed it over the past three decades, the city remains a haven for the strange and those drawn to strangeness, for artists and obsessives, for people hooked on the pursuit of more than ample parking space and an affordable breakfast burrito.
This situation is alluded to in the title of Waylon Jennings's 1992 album Too Dumb for New York City, Too Ugly for L.A. and also by the odd fact that John Waters, the filmmaker responsible for underground art-trash classics like Pink Flamingos, once attended New York University. "I didn't go to class," Waters recalled. "I went to Times Square every day and saw movies. I stole books from their bookshop and sold them back the next day to make money. I took drugs. I probably should've been thrown out." Waters was eventually expelled, after getting arrested with a quantity of marijuana. I think about him every time I teach a class at NYU.
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Denne historien er fra July 2023-utgaven av Stereophile.
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MANUFACTURERS' COMMENTS
ANY CLOD CAN HAVE THE FACTS; HAVING OPINIONS IS AN ART

Staying true to the passion
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RABBIT HOLES
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Lyngdorf Audio MXA-8400
8-CHANNEL POWER AMPLIFIER

AURAL ROBERT
Charles Tolliver and Strata-East

Stenheim Alumine Two.Five
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A new vinyl perception of the Doors, all-analog
For Warner Music Group, the Doors have been a deep vein of music gold. Their albums have never been out of print, and the catalog has enjoyed regular reissues for decades. Each new version of the Doors' first six albums sells well enough to prompt another trip to the vaults.

A Four-Cent Cigar and the Tyranny of Better
Edward Mott Robinson, a Quaker tycoon from whaling-era Massachusetts, would turn down fine cigars. He preferred the cheap kind. “I smoke four-cent cigars, and I like them,” he declared.¹ “If I were to smoke better ones, I might lose my taste for the cheap ones that I now find quite satisfactory.”

GRAMOPHONE DREAMS
Jamming with cans