Mike Griggs replies
While Cinema 4D is one of the most straightforward 3D creation applications to learn, as there are so many options for creating compelling animations, it can be daunting to decide which path to take.
The good thing is that usually, the most convenient method in Cinema 4D can get great results. These animate quickly, and with the speed improvements in Cinema 4D’s viewport, can be rapidly iterated.
To animate a ball moving through a bulging pipe, the standard Cinema 4D deformers are the toolset best suited to solving this problem. In this example, we will use the Displacer Deformer to create a bulge in the pipe that is driven by the animation of a ball ‘squeezing’ through it. While deformers have been a vital part of Cinema 4D’s toolset for years, it was the recent introduction of the ‘Fields’ workflow that has super-powered how deformers can be used.
A deformer object in Cinema 4D is most commonly applied directly to an object as a child. This means that it was not immediately obvious how to move the deformer separately from its parent object, especially if the deformer’s animation needs to be driven by another object.
The addition of separate Field objects that can be parented or animated independently of the deformer object allows potent and logical animation systems to be created quickly.
هذه القصة مأخوذة من طبعة January 2021 من 3D World UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة January 2021 من 3D World UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Nvidia GeForce RTX 4080 Super Founders Edition
On the surface, the GeForce RTX 4080 Super is barely any different from the vanilla GeForce RTX 4080 that was launched in 2022.
MCU VFX moments
Pros choose their favourite CG shots from the Marvel Cinematic Universe
Nosing around on Fallout
We sniff out the story of how FutureWorks brought The Ghoul to life with the creation of his iconic noseless face
DISCOVER RED GIANT GEO'S HANDY TOOLS
Heather Sterland introduces one of the newest additions to Maxon's suite of Red Giant VFX plugins with an atmospheric lunar creation
BUILD AND ANIMATE A FUN-FILLED ROBOT
Expand your horizons with Julio Benavides, who reveals his workflow for creating a charming hard-surface character
DESIGN STRIKING SCULPTS AT SPEED
Learn how to build 3D characters that balance visual quality and efficient workflow with pro advice from Oh Holy Mary
CREATE A CANYON ENVIRONMENT
Build a stunning desert setting with an expert walkthrough from Romain Eboli, who uses high-quality Quixel assets
TURN A 2D CONCEPT INTO AN INCREDIBLE 3D-PRINTED FIGURE
Concept artist Emily Chapman shares her process for sculpting, printing and painting an outstanding model to put on display
Goodbye SAIGON
Trevor Hogg gets held captive by multiple versions of Robert Downey Jr.while uncovering the visual effects of HBO's spy series The Sympathizer
IMPRESSIONISTIC REALISM
Trevor Hogg learns how the artisan aesthetic came to be for The Wild Robot