Why signs? I am often asked this question. The answer is partially a love of typography and design, but also a need to document history. I majored in industrial design at RISD and settled in Rhode Island after graduating in 1994. Around the time I graduated, I noticed some of my favorite old buildings were being demolished for new development, which sparked an interest in historic preservation. I was also at the beginning of my design career, and soon realized I had more to express than is possible with design alone. I longed to make art.
I began to paint and quickly focused on using painting as a medium to document the buildings that I loved. As my painting progressed, I started to hone in on the signs on these buildings. I’ve always had a love of typography, and I began to develop an interest in vintage signs in particular. As my interest in signs grew, I began to see commercial signs as symbolic of more than the words on their surface. I started to recognize them as reminders of a community’s culture and history, the evolution of commerce, design and manufacturing trends, impermanence and obsolescence. I also developed an appreciation for the artistry of the sign makers.
This story is from the June - July 2020 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the June - July 2020 edition of International Artist.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within