Something Really Wonderful Is Going On
Professional Photography|March/April 2017

A seagull is suspended, sunlit and spread-winged against a lowering sky. Men unknown to each other march together as if advancing on an unseen enemy. A woman with polished shoes searches through a large, pale handbag. Young girls in matching dresses look to be fleeing impending disaster. Eamonn Doyle shows us fragments of moments in a world of uncertainty and human frailty, with a unique and potentially devastating voice. A relative newcomer to the world of photobooks and photography galleries, he has become a powerful force in the art photography world since 2012.

Lottie Davies
Something Really Wonderful Is Going On

DOYLE  wasn’t always a photographer. Despite having studied photography and painting at IADT in Dublin, for 20 years he barely touched a camera, having found himself unexpectedly thrown into a career in the music business. He travelled around the world DJ-ing, mostly in Europe and Asia, and ended up founding and running the Dublin Electronic Arts Festival as well as a record label and a recording studio. He was all set to be in music for the rest of his life, but then the recession came.

“In late 2008, the crash hit in Ireland. We got hit first and worst. So I packed it in and bought a camera. I bought a Leica M7, although I’d never had a range finder before. And I pretty much just picked up from where I left off after college, just walking around the streets.”

Doyle has lived in the same street in Dublin since 1992, in a building bought by his father “for about ten pounds”, in a derelict and desperate area.

“I was one of two people living in the street when I moved in,” he says. “It was basically decimated by heroin and drugs. It still kind of is, but it’s now one of the most densely populated parts of the city; there was a huge wave of immigration in the 1990s and 2000s. When I started taking photographs again, the whole city had changed. It felt like the whole world had come to Dublin.”

This story is from the March/April 2017 edition of Professional Photography.

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This story is from the March/April 2017 edition of Professional Photography.

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