A familiar beat with a different tempo, as Nagoshi returns to Kamurocho.
Within seconds of its opening cutscene, we know exactly where we are, as the camera glides down a bustling street, past a Poppo store sign and through the window of a second-floor office. Our first objective, meanwhile, asks us to walk up Nakamichi Street, make a right before Smile Burger, and head down Nakamichi Alley towards Pink Street. The waypoint would be surplus to requirements if we weren’t playing in Japanese. The Yakuza series’ star – no, not Kazuma Kiryu – is back.
Surprisingly, that wasn’t the initial plan. “For a time we were considering not using Kamurocho,” says Nagoshi. “However, the goal here was to drastically change the game content from the Yakuza series, and we wanted to avoid exhausting our budget on a brand-new map. I also felt confident that we could create compelling new gameplay even without a new map.”
This story is from the Christmas 2018 edition of Edge.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Christmas 2018 edition of Edge.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
CHANTS OF SENNAAR
How Babel helped a world of stealth become a world of words
MEGHNA JAYANTH
Around the industry in eight games: one writer's journey through indie to triple-A and back again.
Tom Clancy's Splinter Cell: Blacklist
Sam Fisher's final outing is also his most enigmatic
Post Script
How low should a boss go?
TWO POINT STUDIOS
How a new studio rose from the ashes of Lionhead success not simulated
RAIDERS OF THE ARCHIVE
Wolfenstein-style shootouts are just a small part of the picture in MachineGames' maximalist Indy game
SPLITGATE 2
If it ain't broke, don't fix Split
KINGDOM COME: DELIVERANCE II
A bigger, better - and funnier Bohemian rhapsody
Narrative Engine
Write it like you stole it
The Outer Limits
Journeys fo the farthest reaches of interactive entertainment