It has been eight months since I started my MFA at Bennington College. In the last eight months I have cooked half a dozen meals. I pack my children lunches and I clean up the kitchen after my husband when he makes dinner for the family after he comes home from working in a Silicon Valley tech company. Cooking has never moved me. Motherhood has—but not the baggage of social dos and don'ts that accompanied it. I have done fewer play dates than the meals I have cooked in the past few months, and I rarely go to a birthday party. My husband takes the children to their social engagements. “But is this fair?” you might ask and I answer, “It is not about fairness, it is about what moves you as a person and how to keep that flame of what keeps you alive, burning within you, while negotiating roles in an adult world that still largely favors men over women.”
My husband has always wanted to be a father—he is a good father. He can play endless rounds of knock knock jokes with our four year old and he helps the older ones with their science projects. I spend a lot of my time reading and writing, finally able to legitimize my interests because I am in graduate school. In the summer I traveled to Yale for a conference, and then to my residency in Bennington. In total, my children saw me for ten days in June. “How can you do it?” some have asked me explicitly and some with judgment in their eyes. “I must do it,” I say, “to stay alive and be the mother I want to be to my children.” Eyebrows are raised, eyes widen in concern for my choices and their possible harmful effects on my children. “What about home cooked meals? And what about clean houses and laundry and the home and the hearth?” I turn to look at my children when I am asked these questions and they see me staring into space and ask me why I am not studying. “Study, mama,” they tell me.
This story is from the November 2016 edition of India Currents.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the November 2016 edition of India Currents.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Elephant and Donkey Tribes of Politics
The Motorcycle Guru Speaks.
On Feminism
It has been eight months since I started my MFA at Bennington College. In the last eight months I have cooked half a dozen meals. I pack my children lunches and I clean up the kitchen after my husband when he makes dinner for the family after he comes home from working in a Silicon Valley tech company. Cooking has never moved me. Motherhood has—but not the baggage of social dos and don'ts that accompanied it. I have done fewer play dates than the meals I have cooked in the past few months, and I rarely go to a birthday party. My husband takes the children to their social engagements. “But is this fair?” you might ask and I answer, “It is not about fairness, it is about what moves you as a person and how to keep that flame of what keeps you alive, burning within you, while negotiating roles in an adult world that still largely favors men over women.”
Of Wedding Bells And Hospital Bills
Not another invite,” I groaned, picking up a thick cream and red colored envelope.
A New Lease Of Life
How an Indian grandmother started making heart-healthy choices.
A Mother Loses Her Child: Fact And Fiction Coalesce
LUCKY BOY by Shanthi Sekaran. G.P. Putnam’s Sons, an imprint of Penguin Random House, New York. 472 pages. Hardcover. $27.00
From The Hood Without A Loo
TOILET: A LOVE STORY. Director Shree Narayan Singh. Players: Akshay Kumar, Bhumi Padnekar, Anupam Kher, Sudhir Pandey, Divyendu Sharma, Subha Khote. Hindi w/ Eng. Sub-tit. (Viacom).
Life, Liberty, And The Pursuit Of Happiness
A LIFE OF ADVENTURE AND DE- LIGHT by Akhil Sharma. W.W. Norton & Company, Inc.: New York. 202 pages. wwnorton.com $24.95 hardcover.
Who Was Enid Blyton?
Raised in and out of India, I don’t remember reading too many Enid Blyton novels—barring those from the Noddy series. I knew, though, they were all the rage among girls—mostly girls. They’d spend hours reading them and like fish in a school, prattle over what they’d read over their lunchboxes.
Victoria And Abdul: It Looks A Lot Like Love
VICTORIA AND ABDUL. Director: Stephen Frears. Screenwriter: Lee Hall, based on book by Shrabani Basu. Cast: Judi Dench, Ali Fazal, Eddie Izzard, Adeel Akhtar, Tim Pigott-Smith and Michael Gambon. Focus Features, 2017. MPAA Rating: PG-13
Looters, Schemers And A Curse
Koh-i-Noor: The History of the World’s Most Infamous Diamond.