A Reporter at Large – Democracy in Darkness
The New Yorker|February 05, 2024
What Ukraine has already lost in its fight against Russia.
By Masha Gessen
A Reporter at Large – Democracy in Darkness

Ukraine’s Revolution of Dignity began, according to legend, with a Facebook post. In the fall of 2013, after President Viktor Yanukovych backed out of a deal that would have deepened the country’s relationship with the European Union, the investigative journalist Mustafa Nayyem wrote a post calling on people to gather in Independence Square, in the center of Kyiv. After three months of continuous protests, Yanukovych fled to Russia. Ten years later, Independence Square is desolate most days. Kyiv has imposed a midnight curfew. Martial law, in effect since February, 2022, when Russia began its full-scale invasion of Ukraine, forbids mass gatherings. As for Nayyem, he is now the head of the federal agency for reconstruction, which is attempting to rebuild the country as quickly as the Russians are devastating it. On the tenth anniversary of the Revolution of Dignity, this past November, instead of speaking at a rally, Nayyem was scheduled to preside over a different sort of ceremony: the reopening of a bridge that connects Kyiv to the western suburbs of Bucha and Irpin, where, in the first weeks of the war, some of the worst atrocities committed by Russian forces took place.

A few days before the unveiling, I talked with Nayyem in his office. The reconstruction agency occupies part of a stolid late-Soviet government building. Nayyem’s suite looks as though it was renovated ambitiously but on a budget, with vertical blinds, plastic panelling, and vinyl knockoffs of Le Corbusier couches in the waiting area. On the walls he had hung giant prints of the famous “Lunch Atop a Skyscraper” photograph and a panoramic view of Manhattan. “New York is my favorite city,” he explained. “And this is as close as I’m going to get to it in the foreseeable future.”

This story is from the February 05, 2024 edition of The New Yorker.

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This story is from the February 05, 2024 edition of The New Yorker.

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