3B Pencil.
Eraser.
Winsor & Newton Smooth Surface Cartridge Paper 220gsm.
Pigma Micron 005 Pen (Black).
Large dining room table.
Relaxing CDs (especially Medwyn Goodall and anything Celtic).
Nag Champa Incense.
I was commissioned to do this drawing by a couple who had the pleasure of meeting ‘Jama’ the King Cheetah at Canberra Zoo early last year. King Cheetah are a very rare genetic variation of Cheetah where the spots join to form ‘stripes’. There are under 100 King Cheetah in the world, most of which are in zoos and wildlife parks. Sadly, Jama passed away in August 2008 – and I feel honoured to have done this drawing in his memory.
STEP ONE
The initial pencil sketch is purely to place important features. I really draw with the pen. If I have trouble getting it right, I will trace onto a clean piece of paper. I like to get the pencil rubbed out as soon as possible because it annoys me.
STEP TWO
This story is from the No 172 edition of Artists Palette.
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This story is from the No 172 edition of Artists Palette.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Eye of Observation
Draw, draw, and draw some more; develop your artist’s eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly ‘arty’ eye.
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes … and even a Scottish piper.
Gregory John Brennan: Lost Profession
Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.
Pastels: Once We Were Important
A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.
Fibre Art
This artist feels that the hardest lesson she had to learn was to believe in herself … and once she did that, everything started to fall into place and her confidence grew.
Water Lily Magic
Instead of paper and paint, this artist uses fabric and threads … and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.
Loading Wheat – 1920s
It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australia’s agricultural history.
‘Jama' – King Cheetah
This exquisitely talented lady believes that every artist has failures … but it is important to remember that every success is better than the one before.
Blahuta's Ute
Early in the year we ran a feature about ‘Utes in the Paddock’ – a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views … and describes the process of creating his own piece of an amazing collaborative work.
Artists' Easels
Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.
