Growing up in rural Missouri, Lee Cagle spent much of her time in her mother’s garden.
“My mother always had a garden, and she grew many of the vegetables she couldn’t find in local grocery stores,” says Lee. “Gardening was meditative for her.”
So nine years ago, when Lee and her husband, Zane Cagle, abandoned apartment living for a home in the Central West End, she saw it as an opportunity to recapture that piece of her childhood. “I’d always lived in an apartment, so my gardening was limited to turning my patio into an oasis,” says Lee.
The home’s outdoor spaces were a large part of what drew the Cagles to the house, particularly the pool, with its stacked-stone waterfall and the side porch with its mosaic tile floor. The yard, however, needed some work. “The whole backyard was English ivy,” Lee recalls. “There were dying trees and rose bushes, several trees that we’ve now taken out.”
This story is from the May/June 2020 edition of DesignSTL.
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This story is from the May/June 2020 edition of DesignSTL.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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