Tudors have a dark reputation—literally. Their lowlight interiors are typically rich with exposed timbers, stained glass, and burnished-oak millwork. How to create a kitchen that’s a pleasant partner to those elements, while fully functional for today? That was the challenge put to Studio Dearborn designer Sarah Robertson by the longtime owners of this 1929 Tudor Revival in Larchmont, New York. “They wanted a kitchen that brought in the home’s period details, but in a way that felt cleaner, not heavy and traditional,” she says.
This story is from the November/December 2020 edition of This Old House Magazine.
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This story is from the November/December 2020 edition of This Old House Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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