Read deep into the journey through Oklahoma’s Osage country, where tallgrass and community are rooted in history.
The Last Prairie
Before one sees the way the sun hits the southern edge of the Flint Hills, or runs a hand across the wild buttery grass of the plains, a feeling makes itself present, quickly, like the twinge in a bison’s shoulder, and then settles into the hide of the landscape. One might call it ghosts of the past or just plain nostalgia. If nostalgia itself were to take on a tangible shape or form, one could imagine it as tall grass, waving in the wind, just at dusk—flush, soft.
In the 40,000 unplowed acres of Osage County, Okla., nostalgia runs untamed, whirling up like dust blown off a windowsill. Time flutters and stands still in a few rare places in the world. This prairie is one of them and it holds its visitors in a current like a swallow on the wind. Perhaps nowhere else on Earth is there such a deep evocation of the past, as here in Osage County, a place named for (and sharing its borders with) the Osage Nation Reservation, and home to the Tallgrass Prairie Preserve, the last of its kind.
Seventeen miles northeast of Pawhuska, the Tallgrass Prairie Preserve offers a scenic drive and frequent sightings of large herds of American bison and other wildlife. Hiking trails are sometimes foot printed by coyotes and white-tailed deer, and the promise of pink sunsets spilling through wide open spaces prompts many visitors to pack a picnic basket. Parts of the year, a small gift shop—once a cowboy bunkhouse—opens its doors; but year round, the preserve is open from dawn to dusk, welcoming people from around the world, who—much like James Fenimore Cooper’s trapper in his frontier novel, Leather stocking Tales—want to “come to a place where he cannot hear the sound of people cutting down the forests.”
This story is from the June/July 2017 edition of American Cowboy.
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This story is from the June/July 2017 edition of American Cowboy.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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The Long Rope
For as long as people have owned cattle, other people have been stealing them. In the Old West, the consequence for anyone caught committing the crime was a tall tree and a short rope. States and territories developed various ways to discourage thievery, but as writer and photographer Carol Hutchison discovered, Texas created its own special ranger force to enforce agriculture ownership. Today, the tradition lives on, and every day, the Texas and Southwestern Cattle Raisers Association Special Ranger force tracks down cowboy criminals.
Youth Movement
Las Vegas Events Adds Junior NFR as Newest Event to Cowboy Christmas Lineup.
Cowboy Christmas Power Hours
Cowboy Christmas was once just a place to get some shopping done until the big show at the Thomas & Mack. Today, it’s a destination itself, featuring a full schedule of entertainment and events. Every afternoon, on the Rodeo Live presented by RODEO- HOUSTON® stage, jack-of-all-trades Western entertainer Flint Rasmussen and country music great Daryle Singletary host back-to-back talk shows where rodeo athletes, country music artists, and a few surprise guests get cozy with the crowd.
Trail Broke
Most cowboys rode the Chisholm Trail for adventure and money, but C.S. Robinson rode it for love.
The Last Prairie
Read deep into the journey through Oklahoma’s Osage country, where tallgrass and community are rooted in history.
Broken Barriers
Taylor Mason eases Spice into the roping box.
The Warrior Rides Again
FIVE-AND-A-HALF YEARS AGO, IN JANUARY OF 2012, MARINE CORPS GUNNERY SGT. THOMAS McRAE STEPPED ON A 20-LB. IED.
Behind The Chutes
Rodeo secretaries keep the show running smoothly.
At Home With...
Charlie Daniels has a rich discography of Southern-themed, outlaw country, gospel, and patriotic albums. His latest, Night Hawk, fulfills a long-held goal of producing a record of cowboy songs.
The Grand Dame Of Cowboy Poetry
It’s Saturday morning at the 32 nd National Cowboy Poetry Gathering in Elko, Nev., and the Ruby Mountain Ballroom is packed. The introductory applause has faded, but 91-yearold Elizabeth Ebert, “the Grand Dame of Cowboy Poetry,” in gold earrings and a navy blue pantsuit, is still pushing her way across the stage, two wrinkled hands on the walker, slightly stooped, a lariat of oxygen tubes peaking out from a small tank affied to the side. Seated behind her, fellow poets R.P. Smith and Yvonne Hollenbeck, soon to perform themselves, smile as though clued in to some inside joke.