“I remember my father telling me, The eyes of God are on us always. The eyes of God. What a phrase to a young boy. What were God's eyes like? Unimaginably penetrating, intense eyes, I assumed. And I wonder if it was just a coincidence that I made my specialty ophthalmology.”
- Judah (in Crimes and Misdemeanors) “O my friend, why do you who are a citizen of the great and mighty and wise city of Athens, care so much about laying up the greatest amount of money and honor and reputation, and so little about wisdom and truth and the greatest improvement of the soul, which you never regard or heed at all? Are you not ashamed of this?”
– Socrates (in Plato’s Apology)
Since the mid-Sixties, Woody Allen has graced our screens with humor-ous, quirky films. From his oeuvre of more than sixty movies, one, in particular, stands out as a philosophical masterpiece. Crimes and Misdemeanors was released in 1989, but the question it poses is as old as the hills: whether living an ethical life is worthwhile in itself. The higher the cost of doing the right thing (or avoiding doing the wrong thing), the harder the choice. Allen addresses this conflict between egoism and altruism by drawing a realistic character who is forced into a dilemma between protecting his happiness and reputation through committing an evil deed, or renouncing the evil deed, knowing that this will cost him his social status and happiness.
This story is from the August/September 2020 edition of Philosophy Now.
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This story is from the August/September 2020 edition of Philosophy Now.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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