Fiercely unique, Vandana Jain, Jasleen Powar and Shivani Ahlowalia are shaking up the music world, one unapologetic composition after the other. Simone Louis speaks to them about identity and artistry.
INSPIRED AND UNORTHODOX – VANDANA JAIN
Brought up in a musical family, she spent her evenings with her father, singing along to Bollywood songs. Brooklyn-based graphic designer turned-performer Vandana Jain explored her passion for music further with a gospel and Latin language choir at her all-girls school in Bengaluru, but didn’t take it seriously until she started experimenting with it in New York. Only when she started performing live did it became a real career choice to her. A testament to Jain’s attention to detail, her debut EP Vandamner came with her own complex album art and bespoke record sleeve, sealed with red wax and twine, while her work — which she describes as “moody electronica” and a “cerebral pop hybrid” — reflects her journey from India to London and Brooklyn.
FORMATIVE QUEST
“Art and filmmaking were my foremost obsessions. When you’re out of school and working a job, you think it’s the career you’re supposed to have, but I had to question that. There’s no smartness to American advertising, I felt stifled even though I was really enjoying my freelance design work. I missed singing and playing far too much to ignore the impulse, but there’s societal pressure to strive on even when you don’t completely love what you do. That’s painful — to diminish your true calling. I’m blessed that I had the opportunity to develop my skills. The eclectic tapestry of both musical and aesthetic influences has informed my work. But the creative journey is not all glamour and fun, as we know. My journey, besides being a creative one, has also been a spiritual one.”
STIRRING INHERITANCE
This story is from the November 2016 edition of Verve.
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This story is from the November 2016 edition of Verve.
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