SKY HIGH
Guitar World|April 2020
WITH THEIR SIXTH STUDIO ALBUM, WALK THE SKY, ALTER BRIDGE CONTINUE REACHING NEW HEIGHTS AS ONE OF THE LEADING PURVEYORS OF AMERICAN ROCK. MARK TREMONTI AND MYLES KENNEDY GIVE GUITAR WORLD THE SCOOP ON WHAT IT’S LIKE TO BE AT THE TOP OF THEIR GAME AFTER 16 YEARS TOGETHER
JEFF KITTS
SKY HIGH

It’s been roughly 16 years since Alter Bridge first rose from the ashes of Creed’s initial incineration, and in that time the group has proven itself to be nothing less than a continually dominant force in the modern rock world. Guitarist Mark Tremonti and singer/ guitarist Myles Kennedy, the creative duo at Alter Bridge’s helm, are among the most prolific musicians around, evidenced by the sheer volume of output between them in the past 16 years. With Alter Bridge, Tremonti and Kennedy have issued six studio albums, four live albums and a handful of box sets, EPs and assorted other goodies; Kennedy handled lead vocals for three Slash albums and issued his first solo album, The Year of the Tiger, in 2018; Tremonti has released four albums under the solo project that bears his name, as well as one science-fiction novel, A Dying Machine. That’s 14 studio albums, four live albums and one book in 16 years — a tremendous outpouring of music and imagination by any rocker’s standards.

But it’s not just the sheer numbers that make what Tremonti and Kennedy do so impressive — it’s the fact that the quality of their music continues to rise with each new offering, and that their fans are among the most impassioned and loyal in all of rockdom. The result of it all is that Alter Bridge have reached a point where they can almost do no wrong — where each new album is met with fervent enthusiasm by their fans and praise by critics, each new video racks up impressive numbers of views (usually in the million-plus range), and the group continues to tour the world regularly and have incredible experiences like their October 2017 shows at the Royal Albert Hall alongside the 52-piece Parallax Orchestra.

This story is from the April 2020 edition of Guitar World.

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This story is from the April 2020 edition of Guitar World.

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