<div style="page-break-before:always; page-break-after:always"><div style="page-break-before:always; page-break-after:always">Having been stuck at home for the last few months it&rsquo;s been an odd time in life. Over the last six years as a professional wildlife photographer, March through June has been rather busy. Sitting at home could have felt frustrating, but weirdly it hasn&rsquo;t. As a person, I tend to be quite positive, so when the lockdown got underway I thought it was a terrific time to take stock and reflect on a few things.<div style="page-break-before:always; page-break-after:always"><p id="6">One of the biggest worries about my career so far has been the fact that I didn&rsquo;t want to ruin my hobby. Growing up, photography was my break from life, a chance to just enjoy and be outside with nature. The process of sitting behind the camera was pretty much as far away from stress as possible. But when you turn that into a career, things start to change. Making good images, although still creative, is <i>required</i>, rather than a bonus of a successful day, and it all has to happen regularly. If trips don&rsquo;t go well it has ramifications in regards to sales, clients and ultimately putting food on the table, so stress, well, sneaks in&hellip;</p><p id="7"><b>Let&rsquo;s talk about stress </b></p><p>Now, when it comes to stress, I confess that I <i>like </i>it in some forms. The added pressure can help me to work harder and more efficiently, focusing on producing the best work I can, maximizing opportunities. Short, week-long trips overseas see me pulling 22-hour days back-to-back, squeezing the maximum from every moment and often resulting in images and opportunities I&rsquo;m very proud of, that feeling of pressure aiding my creative process. That buzz, however, can fade when you land home again, trip over and back into the daily slog of emails and meetings. The grind can take you away from the camera until that next trip, and although when working on location you have amazing moments with some great subjects, that time behind the camera is eaten into by the practicalities of it being your job.</p><p><img oheight="1347&quot;" owidth="2112" src="https://magarticles.magzter.com/articles/5212/507080/5f4df6120c0cf/1598944744660.jpg" owidth=2112 oheight=1347" style="width: 2112px; height: 1347px;" /></p><div style="page-break-before:always; page-break-after:always"><p id="2">Rewind 20 years and I&rsquo;m in the garden. Having been through my mum&rsquo;s old boxes from her time travelling, I have her SLR in hand. It&rsquo;s got no film inside, but that doesn&rsquo;t matter as a six-year-old me wanders round the garden looking into the lavender and pointing the classic nifty fifty at the bumblebees. Peering through the viewfinder I remember the excitement of holding the camera, turning the dampened manual focus ring, and pressing the shutter before winding on. That buzz that afternoon may have been the first inkling that becoming a photographer would be my path.</p><p id="3">Back in the present, I&rsquo;ve been getting back to basics, with days to get out and enjoy local wildlife. At home, I&rsquo;ve been inspired to look a little closer and spend time with the macro lens, something in the past I&rsquo;ve always diverted from in search of the larger and sexier subjects. Wanting something of a challenge, I&rsquo;ve invested in an old-school Nikon 28mm AIS that offers the ability to be reversed for magnifications over life-size. Nikon is still producing these (in small numbers) and mine was brand new. The all-metal construction is solid, and the dampened manual focus ring is smooth, with an aperture ring that clicks in a way that&rsquo;s satisfying. Every time I pick it up it puts a smile on my face, and on the front of my D850 it&rsquo;s a class imaging tool.</p><div style="page-break-before:always; page-break-after:always"><p id="2">Lens reversed, magnification at around 3x life size puts you in a different world. Everything takes on a new dimension with the lens opening up a hidden land. Stress gone, I&rsquo;m back to finding that pure love of discovering something new, a new buzz, albeit still with a camera firmly in hand.</p>

Feeling The Buzz?

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N-Photo: the Nikon magazine

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Laurence Griffiths

Ghost town

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If at first you don't succeed...

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Osprey & prey

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