Gorges may form one of the natural world’s most spectacular landscapes, but they’re a pain in the proverbial to photograph, as David Noton discovers…
I’ve shot a few Gorges in my time, from Western Australia to Argentina to the Grand Canyon to Cheddar, and encountered the same problem at all. Yes, I know that the Grand Canyon is 15 times deeper than Cheddar Gorge, but stand on the rim of either when the sun is low in the sky at the beginning or end of day and, while golden light bathes the landscape all around, the depths of the gorge below is plunged into dark shadow. By the time those deep regions receive any direct light the sun will be high in the sky delivering harsh, contrasty and unappealing illumination. While gorges may be the most incredibly dramatic landscapes to behold, they are damned tricky to shoot.
This story is from the Spring 2017 edition of PhotoPlus : The Canon Magazine.
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This story is from the Spring 2017 edition of PhotoPlus : The Canon Magazine.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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