Ask any film geek who their favourite Hindi cinema personalities are and more often than not, they’ll cite the greats - Satyajit Ray, Raj Kapoor, Guru Dutt, among others. It’s easy to slip into the rabbit hole of the classics and yearn for the Golden Age of Bollywood. That yearning contends with the realities of a film industry that was just learning to walk against the backdrop of the India-Pakistan Partition in Vikramaditya Motwane’s period drama Jubilee. Having directed some of the most experimental films of our times - Lootera, Udaan, Bhavesh Joshi Superhero, AK vs AK and produced equally fascinating titles, Motwane set out to dig into the nuances of what it meant to make movies in the late ’40s and ’50s and penned an opulent love letter about the era, featuring Prosenjit, Aditi Rao Hydari, Aparshakti Khurana and others. Excerpts from an interview with the enigmatic and enchanting filmmaker:
WHERE DID THE INITIAL IDEA FOR JUBILEE COME FROM?
It began the moment when we were all realising that the topic was shifting from movies to series. It wasn’t about have you seen the latest film, it was more about have you seen the latest episode of Game of Thrones or House of Cards or Mad Men? The idea that was doing the rounds was that what if we did a really interesting behind-the-scenes series about the Golden Age of Indian cinema? Me and Soumik Sen ended up creating a template of the world and what these stories could be. I gave it to Atul Sabarwal and he turned it into something interesting.
WHAT WENT INTO THE OPULENT WORLD-BUILDING OF JUBILEE?
This story is from the August 2023 edition of Filmfare.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the August 2023 edition of Filmfare.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Breaking free
NIKKHIL ADVANI'S MAKING WAVES WITH HIS OTT DEBUT, FREEDOM AT MIDNIGHT. HE TALKS ABOUT ITS GENESIS, HIS ASSOCIATION WITH KARAN JOHAR, AND WHAT'S REAL STARDOM WITH SRIJITA SEN
DECK THE HALLS
Chris Evans and Dwayne Johnson join Tanzim Pardiwalla over a video call about their forthcoming Christmas film, Red One, possible Bollywood crossovers and their love for India
Class Act
NEHA DHUPIA SHARES THE SECRET OF JUGGLING MOTHERHOOD AND CAREER WHILE STAYING RELEVANT WITH FARHANA FAROOK
Deep end of the Ocean
Cancer survivor Mahima Chaudhary tells Farhana Farook that playing a similar person in The Signature proved cathartic for her
DESTINY'S WILD CHILD
ALAYA F CAUGHT IN A CONVERSATION WITH JITESH PILLAAI
SEOUL CONNECTION
Director Hwang Dong Hyuk and lead actors Lee Jung Jae and Wi Ha Joon of Squid Game fame talk about the global phenomenon with Tanzim Pardiwalla
"Smita was a victim.not a villain"
Manya Patil-Seth tells Farhana Farook why her late sister Smita Patil was a tragic contradiction – a pioneer of an actor but a prey of emotions
Best of Shatrughan Sinha's Rapid fire
With democracy facing a near-death situation in most of India's neighbouring countries, what, according to you, is the reason why Indian democracy is still standing strong in the current times? Gaurav Pant, New Delhi
THE RISE AND RISE OF PUSHPA 2
When Allu Arjun went to Patna around a month ago to showcase the trailer of Pushpa 2, naysayers mocked the move, stating that he's making a mistake about taking a Telugu film there. Guess what, the actor had the last laugh.
girl, uninterrupted
Fatima Sana Shaikh is so candid and forthright you don't believe she's a star.