NO ROOM FOR A MASTERPIECE
The New Yorker|December 16, 2024
Rashid Johnson's art of masculine vulnerability is going to the Guggenheim.
CALVIN TOMKINS
NO ROOM FOR A MASTERPIECE

"I want to pivot and move and work on multiple things at once, and with that comes a lot of freedom," Johnson says.

This story is from the December 16, 2024 edition of The New Yorker.

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This story is from the December 16, 2024 edition of The New Yorker.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.