In her studio in one of Sydney's most historic buildings, The Mint, where she sits as a permanent artist resident, Lisa Cooper is explaining some recent compositions.
"This one was commissioned by a photographer friend for the impending birth of his daughter," she says, indicating a ravishing arrangement of black velvet bows, deftly highlighted with darkest brown. "Black velvet draws so much light that you can barely document it," she says in her measured and very thoughtful way. "And the bow is a transfiguration of fabric into whimsy. I feel like it's a drawing of the light."
This story is from the August/September 2024 edition of Belle Magazine Australia.
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This story is from the August/September 2024 edition of Belle Magazine Australia.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
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