Haussmann created the long boulevards, plazas, and apartment blocks we know today, wiping out the chaos of medieval lanes. He left out the district known as Le Marais. Now known as a place of cafés and galleries, the district has traffic-packed, twisting lanes as well as the ordered serenity of Place des the Vosges.
Ben Aronson has said, “The main objective is not merely to capture a physical likeness but rather to aim for the most concentrated form of a powerful visual experience.” What better way to concentrate the energy of Le Marais than in a 10½-inch square painting? Speaking of Monet’s painting of a train station in Paris, he commented, “the true subject of the painting wasn’t the train or how realistically it was painted, the real subject was Monet himself. That realization was a turning point for me, understanding that it wasn’t simply about making still life objects, figures or buildings look real—it was about how I personally saw the world around me and communicated in paint how it made me feel.”
Bu hikaye American Art Collector dergisinin October - November 2020 sayısından alınmıştır.
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Bu hikaye American Art Collector dergisinin October - November 2020 sayısından alınmıştır.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.