Haussmann created the long boulevards, plazas, and apartment blocks we know today, wiping out the chaos of medieval lanes. He left out the district known as Le Marais. Now known as a place of cafés and galleries, the district has traffic-packed, twisting lanes as well as the ordered serenity of Place des the Vosges.
Ben Aronson has said, “The main objective is not merely to capture a physical likeness but rather to aim for the most concentrated form of a powerful visual experience.” What better way to concentrate the energy of Le Marais than in a 10½-inch square painting? Speaking of Monet’s painting of a train station in Paris, he commented, “the true subject of the painting wasn’t the train or how realistically it was painted, the real subject was Monet himself. That realization was a turning point for me, understanding that it wasn’t simply about making still life objects, figures or buildings look real—it was about how I personally saw the world around me and communicated in paint how it made me feel.”
Bu hikaye American Art Collector dergisinin October - November 2020 sayısından alınmıştır.
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Bu hikaye American Art Collector dergisinin October - November 2020 sayısından alınmıştır.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
