Classical art, with its formality, made the past remote. Folk art gave it back some life.
DUSSEHRA TIME, and those three terrifying effi-gies of Ravana, his son Meghnath and brother Kumbhakarna go up in smoke, disappearing amid noisy firecrackers, signalling the just end of evil characters, so the story tells us. It is just as well that the immensely powerful Kumbhakarna of the gargantuan appetite was cursed to sleep for six months of the year; otherwise he would have lustily devoured mountains of men and other mammals and destroyed a world or two because his aggressive, demonic nature would have made him do so, just for the fun of it. Therefore, the universe and all those it contained sighed with relief every time this terrifying asura, second only to Ravana, stretched out on his bed, yawned and nodded and slumbered for months.
One of these long slumbers transpired during Ravana’s ferocious battle with Rama. Ravana began to weaken and desperately needed Kumbhakarna’s help. He ordered that his brother be woken, much before the six months were over. Terrified musicians forced to play and sing as loudly as they could, trumpeting elephants, cacophonous donkeys, and lancers ordered to poke and tickle the sleeping demon, set to work with enough noise and provocation to awaken Kumbhakarna.
Bu hikaye The Indian Quarterly dergisinin July - September 2017 sayısından alınmıştır.
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Bu hikaye The Indian Quarterly dergisinin July - September 2017 sayısından alınmıştır.
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The Image-Maker
Sukumar Ray’s most vivid images were saved for his classics of nonsense verse, but his singular eye, writes Nabarupa Bhattacharjee, found its earliest expression in photography
The Nawab's Last Sigh
Rudely awakened by the fact of independent India, an aristocrat in Meerut clung to his past. Now, he tells Sunaina Kumar, all he has left are his memories of a glorious age.
The Guest
Vaiyavan is the nom de plume of MSP Murugesan. Born in 1936, he did sundry jobs before obtaining postgraduate degrees by correspondence and then served as an English and Tamil teacher till his retirement in 1996. His writing career began in 1956. Multifaceted and prolific, he has to his credit a long list of short story collections, novels, plays, literary essays, poems and children’s stories. He has won several awards including Tamil Nadu government awards for best book on culture (1982) and best science book (1992) and the Malcolm Adiseshiah award for active participation in neo-literacy activities (1996). In his short stories and novels, Vaiyavan revels in a zest for life. Humaneness is the hallmark of his work, as the pain and pleasure, trials and tribulations of people in different rungs of society are described in minute detail. —CGR
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For the new kid on the block, it certainly has pedigree. The Centre for Con-temporary Art, housed within Delhi’s Bikaner House complex, finally opened its portals to welcome art aficionados during this year’s edition of the India Art Fair. Nature Morte was invited to stage the centre’s much-awaited inaugural show, an opportunity the gallery found too irresistible to pass up. The ambitious exhibition it mounted, The Idea of the Acrobat, occupied both floors of the recently renovated building and brought together the works of a dozen well known artists in a multitude of media. The line-up included Bharti Kher, Atul Dodiya, Dayanita Singh, Shilpa Gupta, Ayesha Singh, Khyentse Norbu and LN Tallur to name but a few.
Long, Long Ago
Arundhuti Dasgupta and Utkarsh Patel recount obscure creation myths from around the world, many echoing each other
Family Business
AT THE DINDUKKAL BUS DEPOT, the abortionist pushed her way through the crowd thronging the bus and finally managed to board it. She placed her travel bag beside her on the seat, calling out to her niece to hurry up. The young woman renewed her efforts to break free of the tangle of limbs and claim the seat reserved for her.
A Goan Childhood
Fragments of memory of a time long gone, from a life lived far away. By Selma Carvalho
