The Sony game makers striving to make innovation part of the furniture
Sony’s largest internal development studio is also perhaps its most experimental. It might sound like a counterintuitive approach for the PlayStation giant to encourage, but it’s done good business: SIE London Studio is responsible for mainstream hits such as the EyeToy and SingStar series, as well as the Wonderbook augmented-reality peripheral and VR sampling menu PlayStation VR Worlds. Its creative endeavours in software have always been intertwined with Sony’s hardware. Now at the forefront of SIE London Studio’s future plans, PlayStation VR is a fine project for a team that has always produced magic from unexpected places.
Indeed, the beginnings of the studio would set the tone. Originally Team Soho, it began to accumulate new talent in 2000, most of the recruits university graduates with little to no experience. tara Saunders, today the studio’s head of operations, was one of them. She had her sights set on becoming an animator, and had already interviewed at the BBC earlier the same day she first visited London Studio. “But when I saw the technology involved in game-making, how it really brought the art and tech worlds together, that was the thing that really inspired me.” As an animator on ambitious GTAIII homage The Getaway, she was soon dashing around London with her team members, taking photos of its buildings in order to recreate the city in-game. “There were a lot of people that didn’t have preconceptions about what making a game was like,” she says. “Having people that can think fresh things, and not just do what everybody else has done, means that there’s a lot of technical and creative challenges and you need people whose minds are open to that. Like, ‘Okay, the rulebook isn’t set, how do we write it?’”
Bu hikaye Edge dergisinin August 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Edge dergisinin August 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
BONAPARTE: A MECHANIZED REVOLUTION
No sooner have we stepped into the boots of royal guard Bonaparte than we’re faced with a life-altering decision.
TOWERS OF AGHASBA
Watch Towers Of Aghasba in action and it feels vast. Given your activities range from deepwater dives to climbing up cliffs or lumbering beasts, and from nurturing plants or building settlements to pinging arrows at the undead, it’s hard to get a bead on the game’s limits.
THE STONE OF MADNESS
The makers of Blasphemous return to religion and insanity
Vampire Survivors
As Vampire Survivors expanded through early access and then its two first DLCs, it gained arenas, characters and weapons, but the formula remained unchanged.
Devil May Cry
The Resident Evil 4 that never was, and the Soulslike precursor we never saw coming
Dragon Age: The Veilguard
With Dragon Age: The Veilguard, BioWare has made a deeply self-conscious game, visibly inspired by some of the best-loved ideas from Dragon Age and Mass Effect.
SKATE STORY
Hades is a halfpipe
SID MEIER'S CIVILIZATION VII
Firaxis rethinks who makes history, and how it unfolds
FINAL FANTASY VII: REBIRTH
Remaking an iconic game was daunting enough then the developers faced the difficult second entry
THUNDER LOTUS
How Spirit farer's developer tripled in size without tearing itself apart