We asked 20 Top guitarists three things they regret not learning earlier; one technique-based, One theory-based and one about music in general.
With GT reaching its 300th issue we’ve been reflecting on the vast amount of tuition we’ve presented you since March 1994. To augment this, we’ve been in touch with a colourful array of our celebrity friends to reflect on their early developments as musicians. Looking back, what areas did they feel could have improved their early years of playing? Read on to check out their fascinating replies...
1 John McLaughLin Founding father of jazz-rock fusion guitar
1) A technique based ‘I wish’. I wish I could have had either a drum kit and teacher, or the possibility to learn and be able to articulate the fundamentals of rhythm. In improvised music, 99% of the time we play with drummers, and to fully understand what they are playing is essential in this world.
2) A theory based ‘I wish’ The harmonic foundation that is used in contemporary jazz for the past 60 years is founded upon the music of Ravel, Satie, Fauré, Scriabin and others such as Bartok and Stravinsky. It would have been extremely useful to have had an opportunity to learn the harmonic techniques of these composers.
3) One thing related to music I wish I had done earlier. I should have taken singing lessons!
2 Joe Satriani: New York’s titan of instrumental rock
Bu hikaye Guitar Techniques dergisinin October 2019 sayısından alınmıştır.
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Bu hikaye Guitar Techniques dergisinin October 2019 sayısından alınmıştır.
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THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
