FROM BILLIONAIRE PLAYBOYS TO bespectacled journos, high school geeks to blind lawyers, secret identities are at the heart of superhero mythology. Now imagine a hero whose true identity is truly secret – even to himself. Or should that be himselves? Summon an analyst, this might get complicated.
“It’s a fresh take on a fresh character,” says Mohamed Diab, lead director on Moon Knight, the series that brings Marvel’s psychologically-fractured avenger to the screen. “I come from a background of very intimate films. I wouldn’t connect with this character if there wasn’t anything new, and I felt the idea of a superhero who has DID – dissociative identity disorder – was super-interesting.
“Jeremy Slater, our head writer, decided to show the story through the eyes of a normal person who realises that he’s a different character, which is a superhero. Wow. Such a take. I love that take.”
Never quite ascending to the upper tier of icon hood, where your noble face is plastered on beach towels and lunch boxes, Moon Knight has remained a cult fave since his comic book debut in 1975. Such stealth status suits a hero who operates in the shadows – and, as Diab admits, eased some of the pressure of translating him to TV.
“Being someone who didn’t know anything about the character beforehand added something good. There’s no pressure as a fan to say, ‘You know what, I need to get everything that people know about the character inside [the series]’. We had to pick and choose whatever was good for the story.
Bu hikaye SFX dergisinin April 2022 sayısından alınmıştır.
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Bu hikaye SFX dergisinin April 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
