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Everybody Digs Bill Evans (Again!)

Stereophile

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June 2017

New Audiophile Reissues Burnish a Proud Legacy.

- Robert Baird

Everybody Digs Bill Evans (Again!)

For fans, of course, he’s never been gone, not even for a minute. A jazz pianist who played from the heart and spent a tumultuous life fighting his demons while searching, as singer Tony Bennett has often said, “for truth and beauty,” Bill Evans is now the subject of four previously unheard, recently released titles, on LPs, CDs, and downloads, of live recordings of his music. There’s also, from Mobile Fidelity Sound Lab, a new and superlative One-Step Process vinyl reissue of his classic Sunday at the Village Vanguard. Finally, there’s a wonderful new documentary, Bill Evans: Time Remembered, a labor of love by a fan and titled for one of Evans’s best-loved tunes. And, unlikely as it sounds, the demand for Evans’s music is still strong enough to inspire a controversy over rights and clearances, 37 years after his death, in 1980, at the age of 51.

Directed by Bruce Spiegel, CBS news editor, Emmy Award–winning producer, and devoted Evans fan, Bill Evans: Time Remembered was released on DVD on January 15, 2017. The film’s bedrock are the many interviews, conducted over eight years, with such players as Jack DeJohnette, Gary Peacock, and the late Jim Hall and Paul Motian, all of whom played and recorded with Evans. There are also reminiscences from friends such as lyricist Gene Lees, and Evans’s family— including his niece Debby Evans, for whom he wrote “Waltz for Debby.” Also included are a number of clips of Evans playing in concert, and segments of audio-only interviews with him.

Stereophile'den DAHA FAZLA HİKAYE

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ICONS AND INNOVATORS AT DEFINITIVE AUDIO

Definitive Audio in Bellevue, Washington, near Seattle—one of the premier dealerships in the Pacific Northwest—continued its 50th anniversary celebration with an event it called “Icons and Innovators.” Highlighted by showings of the new JBL Everest series and Bowers & Wilkins Nautilus and 801 Abbey Road edition loudspeakers, the event drew a full house to the first of two sessions.

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Touched-up Beatles and Ringo in color

Opinions vary, but like everything connected to The Beatles, charged arguments over Giles Martin's ongoing remastering of, and sonic tinkering with, the band’s hallowed recording catalog are unending.

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Traveling through time and space

In the April 2024 issue of this magazine, a piece by Editor Jim Austin appeared in the “As We See It” space. It was titled “On assessing sonic illusions,” and it has haunted me for more than a year. Jim’s thesis was that a music recording is a “synthetic, whole-cloth creation ... a complete fabrication.” He writes: “Very few recordings correspond to an actual performance. Most are studio concoctions with pieced-together instrumental tracks and artificial ambience that document no sonic event that ever occurred.”

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EgglestonWorks Andra 5

Big loudspeakers are where diligent hi-fi reviewers really earn their pay.

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RECORD REVIEWS

Why award Recording of the Month to a project whose vocal soloists, though thoroughly committed, are in some respects less than ideal?

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Doshi Audio Evolution Stereo

Nick Doshi is cautiously reserved when he talks about his amplifiers, preferring to let the products speak for themselves.

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Sticking with it

David and Alma Wilson must be doing something right. They’ve been married for 50 years, and for 36 years, they’ve owned and operated Accent on Music on Main Street in Mount Kisco, New York, about an hour north of New York City. In a recent, lively Zoom conversation with the Wilsons, it became apparent that staying the course is a viable approach, for marriage and for business.

time to read

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Period-style listening

Last night, I sat on a bright yellow velveteen sofa eating red beans and rice while listening for three hours to blues and jazz from rare 78rpm records. I walked out feeling gospel-level raised up, with a head full of dreams and cultural memories.

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CH Precision L10

TWO-CHASSIS LINE PREAMPLIFIER

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Rock don't give a shit, you know

Punk rock was never meant to grow old. For their first three studio efforts, The Replacements epitomized the punk ethos. Sorry Ma, Forgot to Take Out the Trash (1981), the EP Stink (1982), and Hootenanny (1983) are loud, bashy fun.

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3 mins

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