Every viewer is a showrunner now.
AS WE’VE TAKEN OUR SMALL-SCREEN DESTINY INTO OUR OWN HANDS – skinny bundles, ‘over the top’ content, a device-agnostic smorgasbord of streaming – our hands have become empty, idle. Channel surfing feels futile, if not obsolete. TV is no longer a remote-controlled menu to peruse as much as it’s a Tube Goldberg machine carrying our eyes from one diversion to the next. Choice is everywhere; agency, not so much.
Algorithms forever recommend what to watch. Autoplay functions cue up the next episode without waiting for your input. With nothing left to do but gaze and glaze, a viewer’s chief responsibility is to not fall asleep (lest you wake to find yourself five episodes into an unwitting binge of Hell’s Kitchen). It’s strange, then, given its role as the architect of programmatic passivity, that Netflix is handing back the reins via choose-your-own-adventure experiences it’s calling ‘interactive content.’
Starting in late 2017, Netflix piloted the idea in a handful of children’s shows, peppering installments of Puss in Boots and Buddy Thunderstruck with moments that asked viewers to pick a prompt: Should Puss kiss Dulcinea or shake her hand? Should Buddy and Darnell have a Wet Willie contest or work out and ‘get jacked’? The decisions gave you a glimmer of control, but Netflix’s latest ambitions lie more in a Sliding Doors or Clue direction: complex stories for grown-ups that reward their choices with starker consequences.
Bu hikaye GQ South Africa dergisinin April 2019 sayısından alınmıştır.
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Bu hikaye GQ South Africa dergisinin April 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
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