The son of a scrap metal and bottle dealer, I was born at Leichhardt, Sydney, in 1936.
As a young man I was employed in various occupations including factory worker, salesperson and tram guard. Late in my teenage years, I hitch-hiked around parts of Australia including Victoria, South Australia and Queensland – working itinerantly in timber mills, on fishing boats, and in hotels as a barman.
I joined the Army in 1958. I served for 17 years. I was involved in the Malayan Emergency from 1951 to 1961. I went to Vietnam in 1966, serving in the Infantry and Catering Corps.
In 1984, I formed the Australian Vietnam Veterans Art Group in Sydney.
Prior to this, I had taken up painting and exhibited at various venues around Sydney including ‘Art in the Gardens’, the Commonwealth Bank, Martin Place, and Kings Cross streets and restaurants.
I was fortunate to have five paintings, 48 drawings and several books accepted by the Australian War Memorial in Canberra.
Bu hikaye Artists Palette dergisinin No 168 sayısından alınmıştır.
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Bu hikaye Artists Palette dergisinin No 168 sayısından alınmıştır.
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Eye of Observation
Draw, draw, and draw some more; develop your artist’s eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly ‘arty’ eye.
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes … and even a Scottish piper.
Gregory John Brennan: Lost Profession
Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.
Pastels: Once We Were Important
A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.
Fibre Art
This artist feels that the hardest lesson she had to learn was to believe in herself … and once she did that, everything started to fall into place and her confidence grew.
Water Lily Magic
Instead of paper and paint, this artist uses fabric and threads … and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.
Loading Wheat – 1920s
It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australia’s agricultural history.
‘Jama' – King Cheetah
This exquisitely talented lady believes that every artist has failures … but it is important to remember that every success is better than the one before.
Blahuta's Ute
Early in the year we ran a feature about ‘Utes in the Paddock’ – a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views … and describes the process of creating his own piece of an amazing collaborative work.
Artists' Easels
Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.
