The world’s biggest movie star on failure, forgetting – and why he’s fascinated by strange minds.
Shah Rukh Khan is wired: Our interview – which takes place over three hours – is fuelled by cigarettes and espressos. It starts in the actor’s ₹4 crore vanity van, continues at Stage 5 at Bandra’s Mehboob Studio and ends back in the van post GQ’s cover shoot. The crew on set is a little flummoxed when, even though his shot is ready, Khan pulls up a red plastic chair next to me and, as promised, continues with our conversation. For a good 30-minute interlude, we sit quietly, as flashbulbs pop and lights are tested, stylists, caterers and managers hover about us, never quite daring to encroach on our circle of intimacy, as we talk about faith, love and death.
What’s your first memory of failure?
I remember running a 100-metre race in school [at St Columba’s, Delhi], against boys who were a little older than me. Till that point, I’d been running with boys my age and I was used to being in the lead. In that race, though, I came fifth out of six or seven boys. As soon as the race was over, the school officials rushed over to the winners and whisked them off to the podium. There were people around, but no one came to me. It was the emptiest feeling.
You felt invisible, like you didn’t count?
It was depressing. Not the kind that makes you feel like crying or sad. That comes later. It’s a mental thing. You go back to your bench, and take off your spikes – as cynical as it sounds, failure is something you face alone. Success has a lot of masters, friends and well-wishers. But failure is lonely. Still, it’s just as textured as success.
What are some of the nuances of both?
Bu hikaye GQ India dergisinin January 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye GQ India dergisinin January 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
The 30 Best Watches Of 2024
Rounding up the best shapes, materials, complications and sizes from this year's horological novelty treasure chest.
Wes Lang's Heroes of Love...
Last month, LA-based artist Wes Lang unveiled The Black Paintings, a monumental series of works that play like storyboards to a raucous midnight horror movieand a spiritual quest. Here, GQ collaborates with the artist on a fashion story that brings his stylish characters off the canvas.
The Miraculous Resurrection of Notre Dame
In 2019, a fire nearly destroyed the crown jewel of France-and the nation set a breakneck five-year deadline to bring it back from the ashes. This is the story of how an army of artisans turned back centuries to restore Notre-Dame by hand, and wound up reviving something even greater than the cathedral itself.
"IT'S NOT ABOUT BEING PERFECT. IT'S ABOUT BEING REVOLUTIONARY."
Beyoncé Knowles-Carter talks business, legacy, art, and family
The Wedding Singers
Madboy Mink's dynamic duo, Saba Azad and Imaad Shah, redefine festive style.
A Watch Is More Than Just a Pretty Face
As collectors look to make their grail watches stand out, they're turning to unique vintage bracelets and paying thousands on thousands for straps on the secondary market.
The Fluidity of Cartier
Why Gen Z stars are obsessed with this historic maison.
A Princess with Passion
From restoring monuments to reviving hereditary crafts, Bhavnagar's Brijeshwari Kumari Gohil has her sights on the future.
THE FUTURE SOUNDS LIKE AT EEZ
The Coachella-slaying, multi-language-singing, genre-obliterating members of Ateez are quickly becoming load-bearing stars of our global pop universe.
DEMNA UNMASKED
He's the most influential designer of the past decade. He's also the most controversial. Now the creative director of Balenciaga is exploring a surprising source of inspiration: happiness. GQ's Samuel Hine witnesses the dawn of Demna's new era, in Paris, New York, and Shanghai. Photographs by Jason Nocito.