In the last 15 years, Rajkumar Hirani has directed a mere five films – each bigger than the last, and each featuring oddball characters who take on the system with an arsenal of child-like humour and optimism. Which is why his latest, a biopic on the explosive life of Sanjay Dutt, might be his most challenging project yet.
Let me show you something.” Rajkumar Hirani drags a pair of chairs to his edit machine. On the left screen is a blur of colours, like confetti blowing in the wind; on the right, a freeze of someone who looks like a familiar Nineties actor lurking behind a giant flower pot.
Hirani scrolls back and forth till he finds what he’s looking for: Ranbir Kapoor in a Fanta coloured shirt, blond highlights in his hair, standing in a college classroom. Hirani hits the space bar, and we travel back in time to 2003, to a scene from Hirani’s first film, where his long-standing collaboration with actor Sanjay Dutt began.
It’s a few weeks before Sanju’s release, and I’m with Hirani at his villa, where he’s doing what he loves best: putting some final cuts, wipes and polish to the biopic. Buddy, his affable cocker spaniel, lazes on a leather couch; Dev Anand and Rajesh Khanna stare out of giant vintage posters; and between sips of lemonade, I’ve just asked him who plays Hirani in the film. Considering that he is, for a change, as much part of the story as he is the storyteller. And why we’re watching this recreated scene from Munna Bhai MBBS. “It was the last time father and son worked together, you know,” Hirani tells me. “But no, I’m not in it.
“What kind of narcissism would that be?”
At what point did you decide that you wanted to make this biopic?
Bu hikaye GQ India dergisinin July 2018 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye GQ India dergisinin July 2018 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
The 30 Best Watches Of 2024
Rounding up the best shapes, materials, complications and sizes from this year's horological novelty treasure chest.
Wes Lang's Heroes of Love...
Last month, LA-based artist Wes Lang unveiled The Black Paintings, a monumental series of works that play like storyboards to a raucous midnight horror movieand a spiritual quest. Here, GQ collaborates with the artist on a fashion story that brings his stylish characters off the canvas.
The Miraculous Resurrection of Notre Dame
In 2019, a fire nearly destroyed the crown jewel of France-and the nation set a breakneck five-year deadline to bring it back from the ashes. This is the story of how an army of artisans turned back centuries to restore Notre-Dame by hand, and wound up reviving something even greater than the cathedral itself.
"IT'S NOT ABOUT BEING PERFECT. IT'S ABOUT BEING REVOLUTIONARY."
Beyoncé Knowles-Carter talks business, legacy, art, and family
The Wedding Singers
Madboy Mink's dynamic duo, Saba Azad and Imaad Shah, redefine festive style.
A Watch Is More Than Just a Pretty Face
As collectors look to make their grail watches stand out, they're turning to unique vintage bracelets and paying thousands on thousands for straps on the secondary market.
The Fluidity of Cartier
Why Gen Z stars are obsessed with this historic maison.
A Princess with Passion
From restoring monuments to reviving hereditary crafts, Bhavnagar's Brijeshwari Kumari Gohil has her sights on the future.
THE FUTURE SOUNDS LIKE AT EEZ
The Coachella-slaying, multi-language-singing, genre-obliterating members of Ateez are quickly becoming load-bearing stars of our global pop universe.
DEMNA UNMASKED
He's the most influential designer of the past decade. He's also the most controversial. Now the creative director of Balenciaga is exploring a surprising source of inspiration: happiness. GQ's Samuel Hine witnesses the dawn of Demna's new era, in Paris, New York, and Shanghai. Photographs by Jason Nocito.