ON WEDNESDAY, JANUARY 13, Randall Emmett presided over a crime scene near one of America’s few tropical rain forests in Trujillo Alto, Puerto Rico. Robert De Niro, dressed as a small-town Georgia sheriff, emerged from a sun-faded mobile home and walked solemnly past a black van marked coroner, looking like a man uneasy about the ordeal ahead of him. In Wash Me in the River, the feature film Emmett had just started shooting, that ordeal was to pursue a recovering opioid addict exacting revenge on the drug dealers he holds responsible for his fiancée’s death. Off-camera, De Niro’s ordeal was no less daunting—somehow, the great actor had to keep Hollywood’s worst filmmaker from ruining the movie they’d set out to make together.
Bu hikaye New York magazine dergisinin March 29 - April 11, 2021 sayısından alınmıştır.
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Bu hikaye New York magazine dergisinin March 29 - April 11, 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
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