“I’M THE MAYOR” is a phrase Eric Adams says frequently, usually as a way to end an argument against adversaries seen and unseen.
“I don’t know if you’ve been picking up on what’s been happening,” Adams recently told the Brooklyn Chapter of Jack and Jill of America, an organization that supports Black schoolchildren, referring to attempts to limit his control over the Rikers Island jail complex and the city’s schools. “They want to take away everything when Eric becomes the mayor. And I say you’re not getting a darn thing—I’m controlling the city.”
And then the punch line, delivered with a big grin. “One thing they must understand: I’m the mayor.” The crowd of Black middle-class homeowners and professionals—Adams’s political base—cheered.
It’s as if Hizzoner senses a need to make sure his authority is recognized and respected. “People look at your presentation before they take you seriously,” he told a group of graduating college students years ago. “Everything about you must say power.” The question is whether the public believes the mayor’s actions match his rhetoric. The early read is: not really.
A recent NY1–Siena College poll found that 56 percent of New Yorkers thought the city was heading in the wrong direction. The 7 percent who described Adams as doing an excellent job were far outweighed by the 29 percent who called his performance poor.
Only six months into his tenure, Adams finds himself in a deep hole. And he is discovering that, while he may be the mayor of New York, the office is subject to a thick tangle of limits, checks, and balances.
Bu hikaye New York magazine dergisinin June 20-July3, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin June 20-July3, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
