This story may sound familiar:
A brash young man with a blue-chip education spends a few years as a trader before starting a crypto exchange and quickly becoming a billionaire.
He’s on TV a lot, slays on Twitter, and emerges as the face of the insurgent industry—the kind of entrepreneurial rebel you can’t help but pay attention to, even if you aren’t a bitcoin person. The young man is the acknowledged crypto king. Then, maybe on account of hubris, he starts to make mistakes. Even though he lives abroad, U.S. law enforcement takes notice. An indictment drops. He negotiates the terms of his return to the States and surrenders to federal authorities, facing multiple felony counts. Neither he nor the crypto industry will ever be the same.
This is not just the arc of Sam Bankman-Fried. It’s also that of Arthur Hayes, who appeared on the crypto scene before SBF, got sidelined, and is now poised to return to it. The parallels are all the more remarkable because so much else in their lives is different. Where Bankman-Fried was a white kid from an elite echelon of society, Hayes was a Black kid from the Rust Belt. Where Bankman-Fried is a zhlub who looks like he logs 20 hours a day at a computer, Hayes is impossibly chiseled and handsome. Where Bankman-Fried was tagged for success his entire life, Hayes created his fortune almost as an act of will, surprising pretty much everyone but himself. In 2014, when Hayes was setting up the exchange known as Bitmex, there were no reverent venture capitalists salivating over his vibe or speculating that he would be history’s first trillionaire. He slept on a friend’s couch for months to save money during a period when the whole gambit looked like a failure.
Bu hikaye New York magazine dergisinin February 27 - March 12, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin February 27 - March 12, 2023 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten