Sharon Van Etten and Angel Olsen have forgotten about the guitar between them. It’s the afternoon before their July 25 show in Austin, Texas, and the two musicians are sitting backstage in a dimly lit room marked shared band hang zone. They have been trying out covers—Elton John and Kiki Dee’s “Don’t Go Breaking My Heart,” the Beatles’ “Don’t Let Me Down”—but are soon reminded of a Paul McCartney song on the soundtrack to the 2006 film The Lake House, which then prompts them to start dreaming about retiring to the woods. After hearing about her fellow singer-songwriter’s planned time off after this tour, Olsen admits she’s wary of over-touring her latest record, Big Time, which she released in June. Van Etten feels the same way; she doesn’t want her son to grow up with her on the road. “I want to sustain where I’m at,” she tells Olsen.
Despite the decades of touring experience between them, the pair agree that they’re still figuring it out: how to manage their band members’ emotions and keep up personal relationships, all under the pressure of traveling daily and satisfying fans nightly. But this time, as Olsen puts it to Van Etten, “we get to share our weird shit.” It’s not just them—the two are on tour with Julien Baker, who has known Van Etten for years. Baker’s in her greenroom next door, skipping the day’s jam session to rest. Her co-performers can relate. “This lifestyle is not normal,” Van Etten says later.
Bu hikaye New York magazine dergisinin August 15 - 28, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye New York magazine dergisinin August 15 - 28, 2022 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
