Chima
TransWorld Skateboarding|September 2016

Fresh off a four-year bachelor’s degree in Propeller production, Chima Ferguson finds himself back home in Sydney, Australia, for a pregnant pause between chapters.

Mackenzie Eisenhour
Chima

Wheels still spinning from first-part fever, and one day shy of his six-year-anniversary as a Real pro, I called Chima from West LA in hopes of finding out how one unwinds from half-a-decade’s work on one video. More specifically—if all that time, travel, and capital “E” Effort still pays longer-term dividends than the week-in-the-making iPhone edit. Along the way, we stumbled through pressing topics from the runaway scourge of the body varial, to the cool-kid trend of rebellion through conformity, then from the fall of the Australian OG street plazas all the way to the sweet nectar of Menace and City Stars nostalgia. Without further ado, here’s Chima.

What’s been cooking lately? How has life been since Propeller [’15]?

Good. Pretty much finished that off. Definitely stoked on that. I had moved to LA to film for it, so after that was done everything kind of slowed down a little bit. I think I spent maybe another six months after that in the States and then figured I’d rather go back home again.

Is it weird unwinding from something that big? Almost like it ends and your wheels are still spinning?

Yeah. Jamie [Hart] from Vans [Global TM] was telling me that after the video everyone was going to have a weird period. You spend four years doing it, then suddenly there’s no trips for a while and you’re not seeing the same people as much anymore. It’s almost like going to school for college or something and then you just leave.

Yeah, going four years deep on a project is like the standard undergraduate degree.

Exactly.

Well, you graduated with high honors—first-part valedictorian. Is it still crazy now to know you have the first part of such an epic video?

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