CONTACT WHO: Akai Professional WEB: akaipro.com KEY FEATURES MPC Live II – I/O: 6x jack out, phones out, 2x jack in, phono out, 2x MIDI out, 2x MIDI in, 4x stereo CV out, 2x USB A, 1x USB-B, ethernet Link, SD card MPC One – I/O: 2x jack out, phones out, 2x jack in, 1x MIDI out, 1x MIDI in, 4x stereo CV out, 1x USB-A, 1x USB-B, ethernet Link, SD card
Back in 2017, Akai made something of a U-turn with their iconic MPC range. Following several laptop-reliant iterations – MIDI controllers designed for bespoke software, effectively equivalents to NI Maschine – the company released a pair of MPCs that once again took things out-of-the-box with built-in CPUs that allowed them to operate as completely standalone, DAWrivalling production tools.
The behemoth-like MPC X was the flagship, but the MPC Live was the standout. Equipped with a rechargeable battery for completely wireless operation, the Live really nailed the balance between self-sufficiency and versatility – stripped back enough to allow users to free themselves from the shackles of their studio computer while powerful enough not to leave them hankering after their DAW.
While several software updates have brought new features into the mix, 2020 is the first time in a few years we’ve seen any new hardware in the MPC range. Announced within six months of one another, the second generation MPC Live and MPC One both sit at the smaller and more portable end of the range. So what sets these two apart?
Back to Live
Bu hikaye Future Music dergisinin July 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Future Music dergisinin July 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates
