As a member of several punk and indie rock bands, producer, songwriter and mix engineer BJ Burton began recording bands during his teenage years. More intrigued by a career in production than a life on the road, he went to engineering school and branched into voiceover work while interning at a music studio. As a member of North Carolina-based indie pop band The Love Language, Burton moved into the producer’s chair for albums Libraries and Ruby Red, propelling him towards a five-time Grammy award-winning vocation.
Despite purchasing a studio in Minneapolis, he currently resides in LA and advocates an experimental, push/pull approach to music-making. The somewhat reclusive Burton has worked extensively with Bon Iver’s Justin Vernon and Sylvan Esso, most notably on respective studio albums 22, A Million and What Now. His fast-growing reputation would later lead to collaborations with industry titans such as Chance the Rapper, Miley Cyrus, Kanye West and Eminem – the latter sparked by songwriting sessions with renowned producer Mike WiLL Made-It.
Did you always have an interest in how music was made from a production viewpoint?
“My parents were really into The Beatles and my grandfather loved blue grass, but I rebelled. I was into punk and metal – the loudest, craziest shit I could listen to. I was trying to make music myself, so was trying to read as much as I could about my favourite records and had an interest in how producers or engineers like Rick Rubin and Rich Costey were doing it. But this was when you only had AOL or instant messenger, so it was hard to really find out what was really going on.”
Bu hikaye Future Music dergisinin September 2020 sayısından alınmıştır.
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Bu hikaye Future Music dergisinin September 2020 sayısından alınmıştır.
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