Modal Electronics are a Bristol-based synth design company who already have a solid range of well-respected synths, ranging from their smaller four-voice virtual analog Skulpt, through the monophonic wavetable-based Craft, to their flagships – the 002 hybrid poly and 008 analog poly. Having the lower-end and higher-end markets covered with these models, there was an obvious gap in their product line which needed filling with something a little cheaper (but still with bags of power and with a high-quality build and sound in mind). Filling that gap is their latest synth, the digital, polyphonic Argon 8.
So what’s the Argon 8 all about then? Well in a word: wavetables! To quickly summarise this form of synthesis: imagine a single cycle waveform that instead of being just a single saw or square, is instead a lookup table of several waveforms together, often sampled from many different sources (so a single wavetable oscillator may contain several different waves in itself). These sampled waveforms are placed into the lookup wavetable and can then be modulated smoothly or abruptly in various ways using LFOs, envelopes or any other modifiers found onboard. Whilst you can achieve ‘normal’-sounding static waveforms by keeping the wavetable position static, modulating the position and other aspects, or using modifiers across the tables, can result in amazing evolving textures.
Bu hikaye Future Music dergisinin March 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Future Music dergisinin March 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates