The enigmatic London producer of beats and exquisite electronica returns to the fray with his brilliant new album No Future. Hamish Mackintosh uncovers the tech behind the Techno.
The brooding, brilliant new offering from Moiré, No Future is his sophomore album but his debut for Ghostly International. Part maverick, part electronic nomad, Moiré has previously flitted around labels such as R&S and Werkdiscs, but the move to Ghostly and the resultant No Future may finally see a wider audience turned on to the myriad delights of his musical journey…and deservedly so.
The Russian producer’s electronic world is mysterious and immersive, without sacrificing the ability to pack a dancefloor! Album opener Sequence 1 sets the scene perfectly while cuts like Lost You, Bootleg and Façade see the previously instrumental artist harness the vocal talents of MC DRS and James Massiah to great effect. Future Music was delighted to hook up Moiré and get an overview of the machines and methodology he employs to make his distinctive music.
No Future is brooding, intense and wonderful. How long did that little combination take to concoct?
Moiré: “The process of making the record took a little over a year. Some ideas were maybe there a little earlier as you tend to generate a lot of material over time. Sometimes you have to leave a track and let it breathe for a bit. What happens in some instances is that you’re either fighting with the track until you actually finish it, or sometimes it all just happens really quickly. I probably had hundreds of versions of the same track, and then quite often I end up going back to the original one… or the initial idea!
Bu hikaye Future Music dergisinin April 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Future Music dergisinin April 2017 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates