Italian-born Luca Mucci spent three years in Bristol, UK, soaking up the local music culture while working at instrument company Modal Electronics as a product specialist. Influenced by early trip-hop and IDM pioneers Aphex Twin and Autechre, his early dancefloor productions were pervaded by elements of breakcore, with particular emphasis on rhythm and percussive sampling. Following releases as Piezo on Idle Hands, Version, Wisdom Teeth and his own Ansia label, Mucci releases his debut full-length on Milan’s Hundebiss. Titled Perdu, the album is an extraordinarily hi-tech blend of dirty lo-fibeats and sub-frequencies, driven by Mucci’s insatiable thirst for complex sound design. A certified Ableton trainer, his production process is a constant trade-off between creativity and technique.
Your debut album, Perdu, seems to have a strong identity, but did it take a while to find your sound?
“Thank you for saying my music has a strong identity because it’s something I’ve really struggled with. I actually thought that the music on this album might be too varied or diverse in terms of BPM and style. Some of it contains very clean, digital, bleepy stuff, but there’s also lots of distorted, almost lo-fitunes. Maybe without realising it, it has an identity, but for me an album cannot have a single style because I always get bored making music and need to keep myself entertained.”
Maybe it’s that the identity is an expression of a side of your personality which goes beyond its stylistic construction?
Bu hikaye Future Music dergisinin December 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Future Music dergisinin December 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates