ABILITY RATING
Info
Key Various
Tempo 110bpm CD
TRACKS 8-13 Info
Advanced
Will improve your…
Switching between non-diatonic chords
Legato and arpeggio soloing
Use of string bends and vibrato
We are delighted to welcome metal virtuoso Marty Friedman back on board (his video performance for Komorebi was in GT301). While Marty is well known for his time in the 90s with Megadeth and Cacophony, alongside Jason Becker, he has had a long solo career since living in Japan. This has resulted in 13 solo albums (his latest is Tokyo Jukebox 3) and numerous unique projects.
This month’s track augments Marty’s ability to play with a metal guitar tone over evolving and emotive chord changes. Within this context, Marty demonstrates his unique articulations and vibrant note choices.
Majestical begins with an intro section in C and Marty uses the power chords of C5 and D5. This intro provides big drama and sets up the transition into the verse. This is in the key of G Minor and uses chords taken from the G Natural Minor scale (Gm-Adim-Bb-Cm-DmEb-F) To strengthen the resolution from Dm to Gm the Dm chord (V chord) is changed to D Major or D7. Marty adds tension to this chord by playing the Eb Diminished arpeggio which implies a cumulative sound of D7b9.
Bu hikaye Guitar Techniques dergisinin September 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitar Techniques dergisinin September 2021 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
