Guitar players often talk about achieving the ‘sound in your head’. We all know what they mean. Inside every guitarist’s mind is an archive of beautiful, soul-satisfying sounds that are based on some of the world’s great recordings. But here’s the thing – tone, as experienced by the guitarist doing the playing, isn’t just a sound. Every time you play a note, there’s a feedback loop going on between your gear, your fingers, and your mind.
We’ve probably all had a moment during a gig when you just aren’t feeling good about your sound. The result? You don’t play as well because you just aren’t getting into it. But if your ears are hearing something they like, you start expressing yourself with more conviction. So far, so good.
But there’s more to it than that. It’s not just the sound but the feel of how the notes come out that gets our creative juices flowing: some players’ styles require a fast attack and for each note to be crisp and clearly defined for them to give their best. Others, like the old-time blues guys, prefer lots of sag and crunch. It’s like the difference between drawing with a crisp ‘H’ pencil and a soft, smudgy ‘B’. You can draw wonderful pictures of both types, but they suit different types of artists.
Bu hikaye Guitarist dergisinin December 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Guitarist dergisinin December 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more