SITTING in his hotel room in Denver, Bruce Hornsby is wryly pondering his current predicament. His latest album, Absolute Zero, has re-established him as a creative force – inspired by Don DeLillo and Steve Reich, it artfully combines the resonant, pianoled heartland rock of his 1980s heyday with spry neoclassical arrangements, jazz-funk and avant-garde flourishes, sometimes ending up not a million miles from the rousing, deconstructed anthems of his famous disciple Justin Vernon (who also guests on two tracks). Yet Hornsby is still being booked to play the kind of civic festivals where vintage rockers are expected to boost the profits of local breweries by smiling politely and playing the hits.
“Who knows what they’re gonna think when I start singing about cryogenics or IRS tax examiners as American heroes?” he laughs, of his upcoming engagement at the Dillon Amphitheatre. “But lucky for us, the uninitiated seem to be following along nicely.”
It should be a clue that Hornsby has long since swapped The Range for a backing band called The Noisemakers. But how does he feel when the crowd just want to hear “The Way It Is” and “Mandolin Rain”? “It’s definitely a challenge, but we’re not shying from it,” he says. “Nasty letters abound in my world, ever since my second record. I’ve never been the vehicle for your stroll down memory lane. Let’s face it, most people who go to see bands are there for that nostalgic night out. I get it. But it’s a creative prison for me, so I refuse to be shackled by it.” And then he laughs again, keen that we don’t confuse him for a tortured artist. By continuing to evolve, Bruce Hornsby is having the time of his life. Some things will never change? Don’t you believe them.
What’s your daily routine while on tour?
Nathan, Rochester, MN
Bu hikaye Uncut UK dergisinin November 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Uncut UK dergisinin November 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record – her brilliant debut solo album – she takes stock of her consistently adventurous career so far. To discuss: her early days in New York’s Downtown, cooking with Neil Young and the perils of gentrification. “Life is unexpected,” she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
A lot has changed for TINARIWEN since they became superstars of desert rock’n’roll. But their Saharan homeland remains as troubled as ever. We track the band down in Morocco, where Michael Bonner hears tales of exile, insurgency and belonging. “As long as people are oppressed, there will be room for protest music,” they explain
Angel Olsen: Her Bright Materials
Welcome to Asheville, North Carolina, where ANGEL OLSEN is poised to release her new album, All Mirrors. Erin Osmon joins the singer-songwriter at home to discuss heartbreak, fantasy property deals and her latest bold pop experiment. “Sometimes your dreams are not what they seem,” she says
“I Was Insatiable!”
From a back garden in Epsom to the stage of the O2 – via Bombay, New York, Marrakesh and Beijing – join us as JIMMY PAGE guides us through 60 years’ worth of his marvellous adventures. CliffRichard! Exorcisms! “A cauldron of inspiration”! There are road trips with The Yardbirds, magical recording sessions at Headley Grange, his ongoing relationship with Robert Plant and the vast musical legacy of Led Zeppelin to consider. “I was dealt a very good hand,” Page tells Michael Odell. “And I like to think I played it well.”
'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iver’s endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in “some of the worst videos ever made”
The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
Australian indie ambassadors’ golden age showcased in opulent style.
It's Too Late To Stop Now
Has VAN MORRISON mellowed at last? After yet another remarkable period in his ongoing creative renaissance, the Celtic soul warrior is on good form as he talks R&B, transcendence and mythical bootlegs with Graeme Thomson. “I didn’t know what the hell I was doing for quite a while,” he reveals
Robert Plant - Digging Deep
ESPARANZA 7/10 Percy on 45! A boxset of 7”s traces Plant’s post-Zep progress. By Michael Bonner
Leonard Cohen - Thanks For The Dance
The poet’s intimate musical postscript.
'I'll Tell You The Full Story…'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIE’s early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowie’s breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless “Space Oddity”, and tearful studio interludes… but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himself…