It is almost a decade since you started your career in films. How do you look back at your journey so far?
It has been a terrific journey for a person who never wanted to act. I never thought I had anything in me to become an actor, I was never in awe of the film world. I just stumbled on it and learnt through experiments. Now, I’m loving it! I have never been addicted to my profession because of its money or glamour. The day I stop getting exciting roles, I will walk out of the industry. It is of paramount importance for me to get happiness from what I am doing.
Any butterflies in the stomach ahead of Thappad’s release?
There are some films which are beyond butterflies as far as box-office success is concerned. Thappad is one of them. I always wanted to work in a movie based on domestic violence, an issue which was always swept under the carpet in and outside the film industry. This despite the fact that three out of five people in our society are affected by it. I chose to do a mainstream movie to bring this subject to the fore. With the kind of positive messages I have been getting, it seems that my objective will have been fulfilled by the time Thappad hits the screen. And if God be kind enough, it will also attain commercial success.
Do you think that the industry avoided this issue because it is patriarchal?
Bu hikaye Outlook dergisinin February 17, 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Outlook dergisinin February 17, 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Trump, Up And Charging
'Many countries are nervous about Donald Trump returning to power, but India is not one of them'
Post and Past the Oil in Azerbaijan
As the UN climate conference takes place in Baku, Azerbaijan traces the history of the hydrocarbon industry through the lens of postage stamps
Bhutto's Nehru Story
Nehru's principle of \"compromise and argument\" remains the only workable formula for South Asian leaders
Breathless on Bachchan
Cédric Dupire's documentary The Real Superstar is an irreverent, experimental archive of Amitabh Bachchan's life and his stardom
The Anaphora to Zeugma of the Queen's English
Shashi Tharoor's book is a logophile's candy shop, full of fun, surprises and insights
The Wind Knocked
THE wind knocked on the door. Hesitantly. Wanting to be let in. It had heard the murmuring of the flames. And knew that there was a fire. The wind sought shelter.
The Way Home
“We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”—Gaston Bachelard, The Poetics of Space
The War Artist
Cartoonist and journalist Joe Sacco is in search of the truths distorted by conventional narratives
Mining Adivasi Votes
If the BJP manages to win Jharkhand, it will be the third mineral-rich state after Odisha and Chhattisgarh that will fall into the party's kitty
Unequal Republic
Political parties make promises of equal represention to women, but patriarchy continues to dominate electoral democracy