Paul Sanders
Paul Sanders has over 30 years’ experience as a professional photographer and picture editor. He began photographing landscapes to escape the pressure of his previous job, and uses mindfulness techniques to draw inspiration. He works mainly in black & white as he finds colour distracting. Find out more at www.discoverstill.com.
1 Footprints
Nothing destroys a potentially beautiful photograph like a set of footprints, usually those of the photographer trying to decide on the best composition. I always work towards something and tread lightly, perhaps walking the long way around the edge of a field. I spend time thinking my shots through before I even venture into an area of pristine snow.
2 Light
There is no such thing as bad light – light is what it is and we should be grateful we can see it. Flat light works better for me than the wonderful golden light I see in others’ work. Flat light is just as valuable as golden light because it lowers contrast and loses shadows, which can be useful when shooting in snow that’s been walked on.
3 Wrap up
This almost goes without saying but dress sensibly. When walking to a location you might get warm so pack spare layers that you can wrap up in when you stop. Standing still will create snowy masterpieces but will cause your body temperature to drop, especially in your hands and toes.
4 Patience
Patience is the biggest break you can give yourself. I often turn up at my chosen location to find things looking good but not quite feeling the power of the place. Waiting, watching and enjoying the experience will yield a better connection and deeper vision of a location. Be patient in all things.
5 Get up, get out
Bu hikaye Amateur Photographer dergisinin November 09, 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Amateur Photographer dergisinin November 09, 2019 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.
Panasonic FZ82D
If you want the flexibility of a superzoom bridge camera, then the FZ82D is a new model to tempt you. But is it any good? Amy Davies finds out
Leica D-Lux 8
Leica's latest advanced zoom compact resurrects a much-loved line, but can it challenge the Fujifilm X100VI? Andy Westlake finds out
Focus stacking for macro
In macro photography, depth of field is a real issue, but Rod Lawton shows how focus bracketing and Photoshop can fix it
Something magic
The official invention of photography is hard to pin down, but it's possibly 200 years old this year. Michael Pritchard takes a closer look at one of its pioneers
Fugue by Lydia Goldblatt
A profound and moving reflection on love, life, grief, childhood and motherhood, Fugue is a wonderful body of work, says Amy Davies
Honor's new phone crush, plus eye-tracking tech
It’s not exactly been a quiet summer for new phone announcements, but the pace is about to get even more hectic, with the massive IFA consumer electronics show taking place soon in Berlin (on 6-10 September).
Final Analysis
Peter Dench considers...'Matt, Border Morris Dancer, Clerical Error, Chester City' by Ryley Morton
Join the Club
PhotoClub247 is an online-only club of 400 friendly members and offers free live webinars
A new light on landscapes
Liam Man's dramatic, drone-lit landscapes have won him international acclaim. He tells Geoff Harris about his approach, and why still images still appeal more than video