1 KICK-START SPRING WITH SOME CROCUS FOCUS!
Shoot a bright and vibrant photo of this humble and hardy seasonal icon
Nothing says that spring has arrived like a colourful crocus opening up its petals to the sunshine. Crocuses come in various colours, but all share a beautiful shape that allows you to get really arty when you shoot them.
To make the most of the delicate, semitransparent petals, shoot them with a very limited depth of field, so they stand out perfectly from the background and look translucent. You can choose to shoot one crocus if you can find one away from the crowd, or concentrate on a small bunch. Either way, you need to act fast and catch them when they are first open, before the wind and rain take their toll.
Crocuses are a few inches high, so work low to the ground. You want the shot to look arty with lots of shallow focus, so use a wide aperture (like f/2.8) on a 100mm macro lens. Where you focus is critical, as this will be the only small point in the frame that is sharp. It could be the foremost petal or perhaps the stamen at the centre.
What’s in your background is also important. You want something either in line with the colours of your crocus or something that contrasts strongly, like an area of green or deep shade.
1 Macro lens & tripod
Use a macro lens or a close-up filter. Because crocuses are just a few inches high, use a tripod where you can fix the centre column upside down. That way, you can lock your composition in place.
2 Camera settings
Bu hikaye Digital Camera World dergisinin Spring 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Camera World dergisinin Spring 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
David duChemin
The Canadian wildlife photographer gives Niall Hampton a flavour of his latest book Light, Space & Time, and his talk at The Photography Show
Scanning ahead...
In a make-or-break year for the camera market, Jon Devo suggests throwing out the playbook
Click, click, gone
Sean McCormack tries ON1 Photo RAW's new Generative Erase
Blur the background
Wendy Evans explains how to change the depth of field in telephoto shots using the Lens Blur tool in Lightroom or Camera Raw
Bring the drama with colour-grading tools
Discover how to use adjustment layers in Affinity Photo to add mood and colour to a lacklustre image, with Wendy Evans
Optimise your phone shots in Photoshop
Smartphones are our most useful cameras, so let's enhance our shots, says James Abbott
Expand your images
Crop outside your frame in Photoshop and discover a clever hack for detailed Al-generated fills with James Paterson
Shot of the month
Benjamin Yavar, winner of the Photography category of 2024's ViewSonic ColorPro Awards
CAMERA CLINIC - Master the art of modern photography
Architecture is a huge subject in photography.
HARNESS THE POWER OF RAW!
Take your captures to the next level with this 10-step tutorial for Adobe Lightroom Classic CC. Dan Mold is your expert guide...