The modern mind has to deal with vast amounts of data. It’s estimated that every day we ingest five times more information than we did 25 years ago. Sifting through and channelling that data into what’s important and what is not has become one of the big challenges of modern life.
In a sense, information overload is also the main challenge facing the photographer. A raw file contains around five times the data of an equivalent JPEG. So if you’re thinking of making the switch from shooting JPEGs to shooting raw, you have to be prepared to sift, channel and manage all that extra data. It requires a slight shift in mindset, but it can also spur you into a more enlightened way of shooting and editing your photos.
Raw expands your options, while JPEG narrows them. Shoot in JPEG quality, and your camera will decide how the image should look, then dump most of the extra information it is capable of recording. Switch to raw, and you retain all the uncompressed ‘raw’ data. The price you pay for this is the extra time spent managing and processing raw files, and the extra money spent storing them.
Shooting in raw brings with it a level of commitment that we wouldn’t recommend for the casual snapper. But for those of us who want to take complete control over the look of our photos, raw is by far the better option. Here we’ll explore the benefits of shooting in raw, and how to craft that extra data into perfectly prepared photos. From shooting to editing and exporting, we’ll guide you through the complete workflow.
CASE STUDY #1: Landscapes Raw’s expanded dynamic range boosts outdoor photography
1 Graduated tones
Bu hikaye Digital Camera World dergisinin April 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Giriş Yap
Bu hikaye Digital Camera World dergisinin April 2020 sayısından alınmıştır.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Giriş Yap
Walter Moser on Gregory Crewdson
US photographer Gregory Crewdson is famous for his cinematic images. After a recent exhibition of his work, Steve Fairclough discovers more about his career
DJI Neo
Can this 'follow-me' drone be all things to all people without compromise?
Sony FE 85mm F1.4 GM II
With some desirable updates, this lens aims to build on the success of the original version.
Lumix S 14-28mm F4-5.6 Macro
A modest zoom range and maximum aperture at a modest price
Ricoh GR III HDF
The 'classic' Ricoh GR III now features a Highlight Diffusion Filter
Lumix GH7
New and improved AF make this one of the best hybrids around
Scanning ahead...
With Chinese brands on the rise, Jon Devo considers the effect on the imaging industry.
Behind the lens
SERGEY GORSHKOV Wildlife photographer
CAMERA CLINIC - Master the art of modern photography
This month: Capturing the coast Let's side-step the autumnal colourful spectacular and head to the seaside
MASTER THE MAGIC OF MACRO
Shoot tiny details close-up and hone in on incredible details hidden to the naked eye. Professional photographer Dan Mold is your guide...